Record number audition for CityDance

Recent auditions for CityDance, an after-school ballet instruction program of the USA International Ballet Competition, drew 120 applicants, the largest number  in the program’s 10-year history. Sixty students were chosen to participate and have been placed in the three levels of classes offered.

Through the support of sponsors, CityDance provides free ballet classes and dancewear for Jackson Public School students who are selected based on their flexibility, rhythm, and ability to follow dance instruction. Parents must be able to provide reliable transportation for their children to attend classes two afternoons a week throughout the school year in the Mississippi Arts Center in downtown Jackson.

Returning as instructor for 2013-2104 is Mia Whitehead of the Belhaven University Dance Department.

CityDance is made possible through the generous support of sponsors that include the  Mississippi Arts Commission, a state agency; the National Endowment for the Arts, a federal agency; the Greater Jackson Arts Council; Jazzy Dancer; Dick and Sally Molpus; Jim and Donna Barksdale; and the Charles Sumner Bird Charitable Foundation.

USA International Ballet Competition invites competitors for 2014

The competition that has catapulted the careers of young dancers from Jose Carreño to Daniil Simkin, Nina Ananiashvili to Misa Kuranaga, Sarah Lamb to Marcelino Sambé—and so many more—is calling for competitors for 2014.

The USA International Ballet Competition invites dancers who aspire to follow in the footsteps of these and other renowned artists to complete Competitor Application-Part 1 online by November 8, 2013. Apply online here.

Part II of the application process requires applicants to submit a performance video/DVD using a selection from the 2014 USA IBC Round I Classical Repertoire when filming their video application.  The deadline for submitting the Competitor Application Part II is February 7, 2014.

“The excitement is contagious when we start to hear from dancers and coaches from around the world,” said Sue Lobrano, USA IBC executive director since 1986. “The USA IBC is known internationally for adhering to exceptionally high standards of professionalism, fairness and performance. It’s vital for us to continuously improve the quality of the event and the competition experience as we seek to attract the world’s most talented dancers.”

Celebrating 35 years in 2014, USA IBC will introduce a new Round II Contemporary Repertoire from which semi-finalists will be required to perform one contemporary solo or pas de deux.

“The USA IBC is interested in contemporary choreography that reflects the highest quality of dance created by contemporary or modern dance masters. Choreographers,  Trey McIntyre and Matthew Neenan, have generously contributed several of their works to the 2014 competition,” said Lobrano.

Competitors will be responsible for learning the piece of their choice prior to arriving at the USA IBC.  Neenan and a member of Trey McIntyre Project will be in Jackson to consult with competitors performing selections of their work in Round II.

“The jury and audience will be able to see how well each dancer grasps the requisite contemporary choreography, while dancers enjoy the opportunity to perform pieces by two highly acclaimed choreographers.”

Unique to the USA IBC is the festival of dance that surrounds the event. The USA IBC Dance School and Teacher Training Program run concurrently with the competition. Individually, these activities offer student and adult participants an opportunity to learn from some of the most respected professionals in dance. Other featured ancillary events for 2014 encompass dance-related exhibits and performances. Watch for details to be announced in fall and coming months.

Many U.S. and international dance company directors also attend the USA IBC to scout for new talent.

“Dancers competing in the USA IBC are keenly aware that contracts can be awarded and careers launched for non-medalists as well as those who take home a gold, silver or bronze. The opportunity to be seen on the USA IBC stage is a prize in itself,” Lobrano concluded.

Prospective applicants with questions may contact Hannah Renegar, artistic administrator, at 601-973-9247 or hannah@usaibc.com.

Tickets for the 2014 USA IBC are available in both ticket packages and individual performance tickets. All-inclusive ticket packages go on sale to International Ballet Association members October 7, 2013, and to the public January 6, 2014. Individual performance tickets go on sale April 7, 2014.

 

CityDance performs at 6 p.m.Friday, May 17, at Belhaven’s Bitsy Irby Visual Arts Center

CityDance Instructor Mia Whitehead (second row, far right) and Level II students who tried on costumes for Stars and Stripes Forever! in a recent rehearsal.

CityDance Instructor Mia Whitehead (second row, far right) and Level II students modeling costumes for Stars and Stripes Forever! in a recent rehearsal.

CityDance, an afterschool dance program the USA International Ballet Competition provides for Jackson Public School students, will present its end-of-the year recital at 6 p.m. Friday, May 17, at Bitsy Irby Visual Arts Center at Belhaven University. Admission is free.

“CityDance is one way the USA IBC brings ballet to students who otherwise may not have an opportunity to experience it, expanding the appreciation and audience for classical dance,” said Sue Lobrano, USA IBC executive director. “The annual spring recital is always an evening of tremendous pride for these students and their parents and grandparents.”

CityDance participants are selected through auditions of students between 7 and 10 years of age at the beginning of the school year. USA IBC provides the students dancewear, shoes and twice-a-week classes at the downtown Jackson Mississippi Arts Center. Mia Whitehead, a member of Belhaven’s dance department, is the instructor. There is no charge to participate in the program, but parents must agree to transport their children to the Arts Center, arrive on time and notify the instructor if the child cannot be present. The  Mississippi Arts Commission, Greater Jackson Arts Council, Jazzy Dancer, Mr. and Mrs. Dick Molpus, The Charles Sumner Bird Charitable Foundation and other donors contribute support to the program.

For more information about CityDance, call (601) 355-9853. Audition dates for next year’s CityDance program will be announced through the Jackson Public Schools as the 2013-2014 school year begins.

 

Edward Villella To Chair 2014 USA IBC International Jury

Edward Villella returns to Jackson in June 2014 as chairman of the International Jury for the USA International Ballet Competition

Edward Villella returns to Jackson in June 2014 as chairman of the International Jury for the USA International Ballet Competition

Edward Villella, recognized as America’s most celebrated male dancer and the founding artistic director of the Miami City Ballet, will chair the International Jury for the 2014 USA International Ballet Competition. He accepted the position with the energy and passion that have characterized his career since he joined the New York City Ballet at age 21.

“I am honored to chair the International Jury, and I plan to be quite active. I look forward to teaching every day, to seeing competitors in class as well as on stage. I will encourage my colleagues on the jury and company directors who are attending USA IBC also to observe classes.”

He succeeds Bruce Marks, International Jury chair for six competitions, 1990 through 2010. Marks merits high praise for his years of leadership in “embracing and furthering the vision of the USA IBC to be recognized as the gold standard among ballet competitions worldwide,” said Sue Lobrano, USA IBC executive director since 1986.

“Bruce preached and practiced the concept that with each USA IBC competition, the process is the prize­: The experience of being selected and preparing to dance on the stage in Jackson is highly valuable to young people seeking to make their mark in the dance world.”

Haley Fisackerly, chairman of the USA IBC Board of Directors, noted the board’s appreciation of the “many contributions” Marks made to USA IBC, adding, “We wish him continued success.”

No stranger to USA IBC, Villella was honorary chairman for the 2002 competition and attended subsequent competitions to hire dancers for the Miami City Ballet, which he led to critical acclaim in his 26 years there. He was awarded a National Medal of Arts by President Bill Clinton and named a Kennedy Center honoree in 1997.

An icon of ballet and author of Prodigal Son: Dancing for Balanchine in a World of Pain and Magic, Villella popularized the role of the male in American dance. Born in Bayside, New York, he trained at the School of American Ballet and continues today as a member of its board of directors. He danced for at least four American presidents and throughout his years as a ballet master has passed along to students the knowledge he received from George Balanchine, described in Prodigal Son as his “artistic father.”  Prior to Villella’s departure in 2012, Miami City Ballet was featured in a PBS special, Miami City Ballet Dances Balanchine and Tharp.

The 10th USA IBC is scheduled for June 14-29, 2014, at Thalia Mara Hall in Jackson. One hundred dancers from 31 countries participated in the 2010 event, and a similar number are expected to be chosen for next year’s competition.

CityDance Auditions Held

The Jackson Arts Center was jumping with over 100 Jackson Public School students on Saturday, September 8, 2012!  All of these students were vying for one of 50 coveted positions in the USA IBC CityDance ballet program.

The USA IBC has hosted CityDance since 2003, as a free after-school ballet program for Jackson Public School students ages 7 to 13 years old.  CityDance students attend weekly ballet classes and receive free dancewear during the academic year.

Each year all students, new and returning, have to audition for a position in a CityDance class.  The USA IBC invites new students from ages 7 to 10 to audition and all of last year’s students to audition.  The children are selected to be a part of CityDance based on  flexibility, rhythm, and their ability to follow dance instruction.  We are pleased to announce that Mia Whitehead of Belhaven University will be returning to lead this intensive ballet program as instructor for the 2012/2013 school year.

At the end of each school year, CityDance students present an end-of-year performance for family, friends, and the public.  Sometimes, our CityDance students perform at other special events, such as our Reunion Gala.

CityDance is presented in part by generous support from the Mississippi Arts Commission, Greater Jackson Arts Council, Ballet Mississippi, and Jazzy Dancer.  If you would like to support this important program, please click here.

Billy Mounger honored for ballet contribution

Mississippi’s global stage

7/18/2012 6:00:00 PM
Read the full article.
Later this month the eyes of global ballet professionals and fans will focus on Varna, Bulgaria for an international ballet competition equivalent to the Olympics of that art. But last week, they directed their gaze at Jackson, Mississippi, for a reunion gala of medal winners from the USA International Ballet Competition held every four years in the capital of the Magnolia State. The USA IBC returns to our state in 2014, something former USA IBC Chairman Billy Mounger of Jackson calls a bragging right for the city and state. …

The Jackson IBC Competition has become the top exhibition for identifying the world’s leading talent in dance and a critical step in the development and exposure of elite international ballet professionals. But the competition goes beyond bragging rights and cultural exchange.

An independent study by the Department of Economic and Workforce Development at the University of Mississippi reported the 2010 competition generated a $10.2 million economic impact for Mississippi, a 35 percent increase from the 2006 event.

If you missed last week’s gala reunion, you have two years to plan for the next competition.

Happy Birthday, Thalia!

Thalia Mara (1911-2003)
We celebrate with gratitude and love for the lady who inspired us. Thalia Mara made us believe that together, we could make it happen. So many words have been used to describe Thalia: strong, visionary, hardheaded and diligent are but a few. Because she was all of these things, she accomplished more than most people dream of doing.

Thalia was born in Chicago to Russian parents and began her dance career at an early age, dancing professional on stages around the world. As an acclaimed dance educator, she created the School of Ballet Repertory in New York city, the first of its kind in the U. S. to offer elementary and secondary academics as well as the performing arts.

Author of eleven published books, Thalia will long be remembered for her role as a teacher. Many students found their love of dance through her, and many went on to careers in ballet companies around the world.

She left her home in New York City in 1975 to live in a Mississippi she barely knew. She arrived with the hope to further the arts in the South, educating not only students, but building audiences. She created the first ballet company in Mississippi that actually paid dancers. Among them are David Keary, Ballet Mississippi executive and artistic director, and Kathy Thibodeaux, founder and artistic director of Ballet Magnificat!.

We owe her much. And today, June 28, we wish her a happy birthday and say “thank you” still.

Feasibility Study Includes Thalia Mara Hall

Feasibility studies to outline improvements needed to upgrade Thalia Mara Hall

Haley Fisackerly, USA IBC Board Chairman

By Anthony Warren

JACKSON CITY officials will soon have a road map on how to improve an artistic landmark in downtown Jackson.

Plans are still in the works to make some much-needed upgrades to Thalia Mara Hall, but officials are awaiting the findings from two feasibility studies to determine how best to carry out those plans.

“We expect the results any day now,” said Director of Human and Cultural Services Michael Raff. “These studies will help  us ensure that Thalia Mara will be a home for great performances for another 44 years.”

Rob Farr, a principal with Cooke Douglass Farr Lemons, is conducting an engineering and architectural assessment of the 44-year-old performance hall to find out what exactly needs to be done in terms of making improvements.

Farr, a member of the International Ballet Competition (IBC) board of directors, is providing his services free of charge. The competition is held at the 2,400-seat auditorium every four years.

An economic impact study is being conducted by Brailsford and Dunlavey, a firm based in Washington, D.C.

On January 24, the Jackson City Council voted to pay the group $15,000 to conduct the assessment.

Raff said the studies will be used to help raise money for the hall’s improvements, which are estimated to be around $9 million.

City officials are working alongside Northsiders and members of the business community to raise those funds and make the upgrades by 2014, when IBC returns to the capital city.

The Sun reported previously that IBC Chairman Haley Fisackerly is putting together a group of private business leaders, city officials and members of the downtown arts commission to raise the funds.

“The city has a lot of challenges in funding priorities and we recognize that,” Fisackerly said in an earlier interview. “The city makes improvements to Thalia Mara in increments. What we would like to (do) is bring people together and see if we can get everything done at once.”

Raff outlined several needs for the aging facility, including new air conditioning, accessibility upgrades and aesthetic enhancements.

In recent years, Jackson has spent about $3.5 million on Thalia Mara renovations, including adding a new roof, sound system and exterior lighting. The city has also updated the facility’s orchestra shell, green room, loading dock and made rigging repairs.

For fiscal year 2012, the city is planning to spend another $530,000 on new stage lights, a new dimmer package, new exterior railings and new curtains.
By
Anthony Warren

JACKSON CITY officials will soon have a road map on how to improve an artistic landmark in downtown Jackson.

Plans are still in the works to make some much-needed upgrades to Thalia Mara Hall, but officials are awaiting the findings from two feasibility studies to determine how best to carry out those plans.

“We expect the results any day now,” said Director of Human and Cultural Services Michael Raff. “These studies will help  us ensure that Thalia Mara will be a home for great performances for another 44 years.”

Rob Farr, a principal with Cooke Douglass Farr Lemons, is conducting an engineering and architectural assessment of the 44-year-old performance hall to find out what exactly needs to be done in terms of making improvements.

Farr, a member of the International Ballet Competition (IBC) board of directors, is providing his services free of charge. The competition is held at the 2,400-seat auditorium every four years.

An economic impact study is being conducted by Brailsford and Dunlavey, a firm based in Washington, D.C.

On January 24, the Jackson City Council voted to pay the group $15,000 to conduct the assessment.

Raff said the studies will be used to help raise money for the hall’s improvements, which are estimated to be around $9 million.

City officials are working alongside Northsiders and members of the business community to raise those funds and make the upgrades by 2014, when IBC returns to the capital city.

The Sun reported previously that IBC Chairman Haley Fisackerly is putting together a group of private business leaders, city officials and members of the downtown arts commission to raise the funds.

“The city has a lot of challenges in funding priorities and we recognize that,” Fisackerly said in an earlier interview. “The city makes improvements to Thalia Mara in increments. What we would like to (do) is bring people together and see if we can get everything done at once.”

Raff outlined several needs for the aging facility, including new air conditioning, accessibility upgrades and aesthetic enhancements.

In recent years, Jackson has spent about $3.5 million on Thalia Mara renovations, including adding a new roof, sound system and exterior lighting. The city has also updated the facility’s orchestra shell, green room, loading dock and made rigging repairs.

For fiscal year 2012, the city is planning to spend another $530,000 on new stage lights, a new dimmer package, new exterior railings and new curtains.

Philippine Ballet’s Rising Star

THE crowd was small but the cheers were loud.

When 25-year-old Candice Adea and her partner Jean Marc Cordero, both principal dancers of Ballet Philippines arrived home, they were greeted by a small but boisterous crowd.

It wasn’t a Manny Pacquiao type of welcome or even a celebrity kind of reception. Maybe 10 people were on hand at the Ninoy Aquino International Airport in Manila but it was good enough for Adea and Cordero, two young individuals trying to put a spotlight in their art form in a country where it’s largely ignored.

Adea recently became the first Filipina to win first prize in the Senior Women’s Division at the Helsinki International Ballet Competition, one of the most prestigious ballet competitions in the world. Her partner, Jean Marc Cordero, was a semi-finalist. He received a Special Jury Award for Best in Partnering Technique.

As one blogger who watched Adea’s performance of the Diana and Acteon pas de deux with Cordero and Aku, a contemporary dance piece choreographed by Alden Lugnasin, described it:

“Magical was no other than my early favorite, Candice Adea. Again. She danced her Diana and Actéon variation with such technical purity, exquisite expression and warmth,” wrote Johannan Balettikassi in the ballet blog, Pointe Til You Drop.

“I think most of the audience has already fallen in love with her! Adea and her now non-competing partner had also one of the scariest over-head lifts, which had one of my back-stage friends praying for their safety! If Ms. Adea doesn’t place high, I should be very surprised,” she added.
To Adea, this is just another remarkable moment in her career.

The 25-year-old Adea is probably the most decorated ballet dancer in Philippine history.

Beginnings
The Filipina began ballet at the age of four and has grown every step, every pointe of the way.
According to her bio, she started under the tutelage of Pamela Ortiz-Bondoc and Josette Salang. She further continued with Brezhnev Larlar, a renowned singer, dancer and choreographer.

By the time she was nine, Adea had earned a full scholarship at the Cultural Center of the Philippines (CCP) Dance School and trained there until she entered the Philippine High

School for the Arts.
She went on to further academic success including graduating with the Artistic Excellence Award and the Maria Makiling Scholarship Award, and earning a Bachelor of Performing Arts Major in Dance degree from De La Salle—College of Saint Benilde.

Throughout her ballet career, she has studied under the country’s top ballet luminaries like Nonoy Froilan, Victor Ursabia, Ronilo Jaynario and Veronique Duma-Berdin.

A promising career
At the age of 13, Adea showed remarkable promise. In her first major competition at the Asia-Pacific Ballet Competition in Tokyo, Japan, she made it to the semi-finals. Three years later, she was a finalist.

She joined Ballet Philippines in 2004 and has become one of the company’s star performers. She has starred in Don Quixote, The Nutcracker,Coppelia, Peter Pan, Snow White, Crisostomo Ibarra and Amada, among many more others.

In the past few years, though, is when her career really began to take off. In 2009, she received the Gawad Buhay Award for Most Outstanding female lead dancer.

In 2010, Adea won the silver medal for the Senior Division at the 2010 USA International Ballet Competition held in Jackson, Mississippi.

Last year, she won the Maris Liepa Prize for Outstanding Artistry at the 2011 Boston International Ballet Competition.

As the top prize recipient, she was invited to perform as a lead in a Russian Ballet Performance in Boston, according to reports. Adea performed “Firebird.”

She also won the third prize at the Seoul International Dance Competition in 2011.

Before Adea and her partner competed at the Helsinki International Ballet Competition, the highest a Filipina ever placed in a major international ballet competition was second. In 1987, Lisa Macuja placed second at the Asia Pacific International Ballet Competition and Christine Rocas placed second at the New York International Ballet Competition in 1997, according to Rappler.com.

Adea and her partner defied the odds in a tough competition.

Rhea Bautista, PR Director of the Ballet Philippines and former principal of the CCP Dance School, told Rappler that Adea and her partner Cordero equated winning this competition to “like winning an Olympic Gold.”

“In the ballet world, the Top four ballet competitions (in no particular order) are in Helsinki, Finland; Moscow, Russia; Jackson, Michigan, USA; and Varna, Bulgaria. Candice has placed in two of these competitions: 1st prize in Helsinki and silver medal in Jackson.”

Bautista added: “JM (Cordero)’s special award was truly special because the judges recognized his extraordinary partnering of Candice, which was a key factor in her success. He was a semi-finalist, and was non-competing in the final round, but his contribution to her success was just that palpable.”

What’s next?
In a country, where most Filipinos follow the Bs in sports  (boxing, basketball, and billiards), ballet has received little to no notoriety.

Adea’s win my change that perspective. Since winning the major international competition, several people have commented in online newspapers and newscasts for the government to give more funding in the arts.

As for whether that will happen, time will tell. Adea has shone a spotlight in an art form that was largely ignored, until her win.

She and her partner will continue to perform with Ballet Philippines’ next production, Crisostomo Ibarra.

(www.asianjournal.com)